Jack Thorne writes for theatre, film, television and radio. Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year. Other recent credits include The Glass Menagerie at ART and on Broadway and The Ambassador at BAM. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics' Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. He was the director of Let the Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St Ann's Warehouse. As Associate Director of the Royal Court, his work includes The Twits, Hope and The Pass. John Tiffany directed Once, for which he was the recipient of multiple awards both in the West End and on Broadway. Along with the three companion books written for charity, the series has sold over 500 million copies, been translated into over 80 languages, and made into eight blockbuster films. Rowling is the author of the much-loved series of seven Harry Potter novels, originally published between 19. This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child. This revised paperback edition updates the 'special rehearsal edition' with the conclusive and final dialogue from the play, which has subtly changed since its rehearsals, as well as a conversation piece between director John Tiffany and writer Jack Thorne, who share stories and insights about reading playscripts. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and critics alike, while the official playscript became an immediate global bestseller. The playscript for Harry Potter and the Cursed Child was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. The official playscript of the original West End production of Harry Potter and the Cursed Child.
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Among factors like poverty and lack of access to healthy foods, inactivity also stood out. 2018 study published in the magazine Pediatrics, for example, found a sharp increase in childhood obesity, particularly among children aged 2-5 years. Īnd, contrary to the popular myth, childhood obesity is not on the decline. Children were even encouraged to complete in a Candy Land obstacle course for a chance to win a brand-new bicycle, which was raffled off at the conclusion of the ceremony to one lucky winner!įit and Fun Playscapes was proud to work with the city of Yuma to contribute to this unique event, and here’s one of the reasons why:Īccording to the CDC, 10.7% of adolescents and 14.9% of children who are a part of the Special Supplemental Nutrition Program for Women, Infants, and Children in Arizona are obese. Community members from across Yuma came together for the event, featuring free health screenings, ice cream, and hot dogs while also teaching children the importance of nutrition and physical exercise. Prior to the grand opening, volunteers worked ceaselessly for several weeks to lay Fit and Fun’s custom stencils into a final product worthy of the Candy Land name. All players will win when they reach King Kandy’s Castle.” The Bean Bag Toss will help children with mobility limitations, to increase hand-eye coordination and fine motor skills. The sidewalks surrounding the park will be replaced with a safe, handicapped accessible surface and brightly painted with a total of 15 colorful activities suitable for children of any age and aptitude to inspire their imaginations, develop physical literacy, challenge each other in a friendly competitive environment, foster emotional and social interactions, improve spatial awareness, and follow a path through nature that will capture their interest in exploration. Licorice Lagoon will be overcome with physical activities that will encourage balance, coordination, dexterity, physical strength, and problem-solving. “Through Lollipop Palace and Peppermint Forest, they will encounter challenges such as hopscotch, a maze, lunges, burpees, tight-rope walk, and bean bag toss. “The life-sized version of Candy Land will guide children and families onto a magical path,” said Adriana Medrano, a neighborhood services specialist for the city of Yuma. The newly designed park featured attractions from Hasbro’s “Candy Land,” including custom stencils of the Lollipop Palace, Peppermint Forest, Licorice Lagoon and King Kandy’s Castle, all painted in thick layers of bright Sherwin-Williams paint in order to match the vivacity of the original board game. The project, which was made possible with the support of The Walt Disney Company through the Meet Me at the Park Play Spaces Program from the National Recreation and Park Association (NRPA), the Community Development Block Grant funding (CDBG), and the City of Yuma, opened on April 7. Hasbro’s popular board game “Candy Land” has come to the Joe Henry Optimist Center Park in Yuma, AZ with the help of custom stencils from Fit and Fun Playscapes! I just can't afford the time.Īs I said earlier, if price was a driving factor I'd be right into Reaper, but I see better productivity with other programs. The problem is that some stuck notes can cause subtle errors that may not be picked up on a causal listen. Perhaps it's simply that Reaper doesn't play well with the Roland Sound Canvas VSTi, but I have had to render every file multiple times before I could get one without stuck notes. plays any midi-file I throw at it, editing midi is a breeze, rock solid, fast, not encountered any bugs. I use reaper almost daily, albeit as an amateur. 2017.Īnd don´t forget,- mouse "right click" is one of the main differences between Reaper and other apps. The method might be more improved meanwhile since version 5.70 is out since dec. Here´s an SOS article on Reaper tempo mapping from 2011. I´m using a combo of Presonus Studio One Pro, Reaper and Reason and for what the apps do best each.įor MIDI file import,- read latest Reaper manual > Media Explorer > chapter 4.8 Importing MIDI files.Īlso read: 21 "Exporting files, Mixing down & Rendering" and 22 "Preferences and other Settings", 3.42 "Converting Media item Format" and 4.4 "Inserting an Audio File as a new Take" as well. SWS Extensions are described in Reaper manual chapter 5.20 as well. Yes, I know,- officially you can use Reaper for free only for 60 days, but the program doesn´t stop working when evaluting longer as also doesn´t come up w/ reduced feature set or noise bursts and such.Īnd when coming from Sonar,- there´s the Sonar to Reaper Guide for download when scrolling down that site.Īnd don´t forget downloading SWS Extensions for Reaper and install. Since you can download for free and evaluate "as long as you want", you have the option investing more time to learn differences than w/ any other commercial DAW app demo. Reaper is not much more buggy than other DAW apps are, but it´s different handling of the same processes when coming from any other DAW app. If I were you,- I´d download latest Reaper and retry. I'm trying to minimise the number of programs I need to audition. I would like to hear what you use and if you think it will meet my 2 criteria above. I see there are a bunch of other DAWs out there now days, but I have no experience with them. If low cost was the driving factor I'd probably invest the time, but I'd rather pay for something that's exactly what I want and easy to use. Reaper still feels very unfinished, buggy and difficult to do basic things with. The last time I checked it out was in 2008. So I looked at Reaper, mainly because it's so cheap. My next port of call was to check out Cubase as I've had some experience with it many years ago, but I have to buy an eLicencer just to trial the program, so I'd want to have a pretty good idea that I'll be buying Cubase before I even trial it. I was about to purchase the latest version of Sonar, just because its the DAW I'm most familiar with, but discovered development has been stopped and it's no longer available for purchase. Sonar 8 was a lot harder to do this with, but still possible. All I had to do was drag the beat lines to the appropriate position and the tempo map was automatically modified. I remember a very old version of Cubase did this nicely. I do the same process with each file so want this to be as automated as possible.Ģ/ I need to import a wave file of a performance played in free time and then easily sync the project to it. I have the Roland Sound Canvas VSTi and ideally, the DAW should be able to automatically load it (or its own GM synth) into each track. I'm looking for a DAW for general audio/MIDI recording under Windows 10, but I have 2 slightly unusual requirements that are important to me.ġ/ I need to quickly load general MIDI files, do some basic edits, add some standard effects (mostly to get matched levels and compression) and render them as MP3 or WAV files. |
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